Posts by KM Cooper

The eerie beauty of the post-apocalyptic tale

Posted by on Oct 10, 2017 in Life in Writing | 3 comments

The eerie beauty of the post-apocalyptic tale

This post has been written for the October Frights Blog Hop. Thanks to Anita Stewart for organizing it! There is something striking about images of abandoned places slowly being reclaimed by the Earth. Once bustling roads and train tracks, formerly occupied fairgrounds, and houses succumbing to ivy and other plant life give way to fantasy. In the world of post-apocalyptic horror, the scenery becomes a welcome reprieve from the fear and violence. It becomes a source of peace and calm. Its beauty becomes striking. The characters in these stories are now traversing a landscape that no longer belongs to them. “Post-apocalyptic” often refers to “the end of the world as we know it”, and the physical planet never dies, but reclaims. Humans have significantly died off, so the people in the tale no longer have the benefit of numbers. Exploring a vast expanse that could once be tamed and called home now becomes exploring an unknown, sometimes dangerous, territory. Humans are finally the “other” in a narrative we have dominated for too long. For me, it’s a perfect source of escapism. Modern problems now are completely transformed. The thought of building a new world from the ground up, choosing to be a nomad, or even deciding exactly where you want to live without others dictating it sparks the imagination. We see the destruction of society as we know it and the progression to a clean slate, followed by the creation of something new from the wreckage of the old. Finally, there’s the knowledge that this new society, too, will ultimately fail, because that is the nature of humans. Even if it seems ideal at the time, having been built anew with knowledge of the flaws of before, it too will eventually collapse. We now have to learn to go back to a forgotten time, before we were able to rely on grocery stores to provide us with food for the whole winter. Staying protected from the elements, the seasons, and predators is top priority. This shift in priority stops us from cruising through the day-to-day and forces us to start truly living. We have to rely on ourselves, and convenience is out of the equation. There is a supposition that anything is possible–the hint that ghosts could be in the air or that feeling of harsh, sudden wind that makes the hair on the back of your neck stand on end. Without the distractions of technology, leisurely activities and the day-to-day, people can see the world for what it truly is: a wild entity. The Earth takes centre stage and shows us what we already know: once humans are gone, she’ll not only be fine, she’ll thrive. The world will reach this status one day. My only hope is that I’ll be able to witness it when it does. Please follow and like...

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What’s next?

Posted by on Sep 18, 2017 in Life in Writing | 0 comments

I have spent the last several months of this year pushing to get my silly adventure-steampunk-comedy trilogy, Mushroom and Anchovy, published through Inkshares, and on Saturday, September 9th, I hit the 250 preorder mark that would greenlight the project. So… now what? After spending so much time pushing to make my biggest goal of the year a reality, and succeeding, it’s time for a re-orientation. Unfortunately, I’m not very good at down-time, so once this project was successful, I, of course, had a huge list of what to do next. But because I’m also not very good at stepping back and evaluating things, I’ve just kind of waded into a sea of stuff to do without a whole lot of direction. This is why it’s so important to take a break, but I’ve scheduled my break for later on in the month… meaning I’m a bit burnt out already. But I’m working on it! My favourite thing about starting up a Passion Planner earlier this year is that I have a little bit of direction by default and know what my next mini-goal toward my overarching goal will be. And I can draw doodles like this one in the Space of Infinite Possibility. So, here’s what I’m up to! A little social media management My father, Allan Cooper, is an established New Brunswick poet. I have set up a Facebook page for him and am working on helping him spread word of reading events and his new works and projects. I’ve been starting to turn toward the maintenance of his website once again. My husband, actor Brad Butland, is getting a bit of assistance from me as well. Mystery boxes For the better part of this year, I’ve been planning little mystery boxes in the background. I’ve done some research and started curating these mystery boxes, and they will be for sale, starting this month at the Riverview Holistic Fair. I’ve dusted off my old etsy page, Lemon Forest, and also have started up a Facebook page for it. This is a little project I started off mostly for fun, and I’m looking forward to giving it a test run at the Holistic Fair next weekend! Take a look on the Facebook page and follow along for updates and pictures over the weeks to come. Condensing, rebranding I’m working on my online presence by condensing some of my social media. I’m removing my Population: 1 and Hub City Survival Facebook pages. I have been speaking with a graphic designer/artist and hope to collaborate on a few of my projects. I’m not much of a digital artist, so anything I do in that department usually gets outsourced if I want it to actually, you know, look good. A lot of work needs done–particularly for Patreon/Retail Hell/Lemon Forest–and I can only afford so much at a time, so I’m taking my time and working hard to make my work look more appealing! Meal plan I get asked all the time for tips, suggestions, and recipes for going vegetarian or cutting back on meat. This has turned into a longterm project: making a 28-day meal plan filled with tips, life hacks, and more for those interested in pursuing a vegetarian lifestyle, or at least for adding more plant-based meals into their life. I’m hoping to launch this before the end of the year–around late December, all going well–in PDF format. I haven’t fully priced it yet, but I’m looking at around $15 CAD, as it was the price people consistently were willing to pay when I reached out for feedback. I am likely to post about it on Facebook and Patreon when it becomes available! Unicorn Cave Autumn is nearly here, which, of course, means that my Unicorn Cave Writer’s Retreat is just around the corner. I’ll be disappearing into the woods on September 28th for a 24-hour retreat involving hiking, campfires, and harvesting ideas for future projects. This will be my second one this year and will mark the one-year anniversary of me taking these retreats. I’m really looking forward to unplugging for a...

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First retreat of 2017

Posted by on Jul 14, 2017 in Components of other posts | 0 comments

It’s funny that I started doing these last fall–near the end of the year, as the season started waning. It became a pivotal point of change for me. Spring often feels like that, but in more of a re-awakening sense. That was certainly the case this year. As my life has grown increasingly hectic over the last several years, this disconnect from society has become necessary for me. An escape into the forest of any kind is refreshing when I’m feeling overwhelmed, but a complete 24-hour unplug and hideaway seems to wipe the slate clean altogether. This spring in particular was an important time to unplug because I was about to embark on a crowdfunding journey for Mushroom and Anchovy, and I knew I’d need to take this time to gather the energy to see it through. I’m not going to say much about this one, as it’s already taken me nearly two months to get to this point. I went on my retreat during May 25th, 2017, and am now at the point that I’m looking toward the late September retreat already! But regardless, I worked on lots of different things, I wrote some new things and planned others. I gathered images that will be used for a project I began to flesh out at the last Retreat. I stayed in Chignecto North this time–again in an Otentik–in my attempt to squirrel myself away for a brief time. While I preferred Point Wolfe overall, I made some interesting travels and discoveries that wouldn’t have been possible had I not stayed in Chignecto. More on that later! I started my daylong journey as all May experiences should: by admiring the new growth and vegetation the world had managed to bring forth during the short window of time that is spring. My favourite discovery was the triad of burgundy trilliums I found on my way through the campground. I crossed the road and went to Chignecto South, having spent a lot of time travelling through that campground during my youth. I remember a summer with my now-husband, walking through those woods with him while we talked. I camped there with Girl Guides, and, two summers ago, went to a star-gazing event with my father in the picnic area there. I have a picture of myself with the staff of the Corn Crib in that same picnic area when I was pregnant with Amelia. Dad and I spent winters cross-country skiing in the backwoods when I was a child. Being in such close proximity to this campground seemed to call to me, and I wasn’t disappointed. In fact, I found a lot more than I planned. I followed through a few side-paths and entered onto what looked to be a long-forgotten campground. I called it the Campground Graveyard. Too cool. Broken-down and destroyed water taps, picnic tables, and overgrown paths. And then… this little guy. He was so calm and docile that I thought he was dead. A gentle nudge proved otherwise. I got right up in his face and he didn’t even mind–it seemed he was about to shed his skin. After over 2 hours of journeying in this area, it was time to go back and have some supper. I built a fire and relaxed for a bit… after writing a few pages worth of notes, of course.   The next morning was pretty rainy, as late May tends to be, but I still had gotten a great experience out of it all. It gave me the opportunity to stay in and work on a couple of projects I’d been neglecting… some art projects, most namely. I’ve heard from a good friend of mine who’s doing her own Unicorn Cave-style retreat, and I sincerely am looking forward to the early fall, when I’ll embark on my next one. My husband believes these are so beneficial to me that I should be going on one a month–I’m hoping to get to that point, one day! Maybe quarterly will be a good bridge goal. Have you done any retreats like this, yourself? Are...

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Mushroom and Anchovy press release

Posted by on Jul 8, 2017 in Components of other posts | 0 comments

Mushroom and Anchovy press release

Local Writer K. M. Cooper’s Next Book, Mushroom and Anchovy, in the Works FOR IMMEDIATE RELEASE JUNE 29 2017, MONCTON, NB – Local writer K. M. Cooper, author of Moncton-based zombie novella Hub City Survival, is currently seeking to get her next book published. Mushroom and Anchovy, a three-part steampunk adventure novel, is currently being funded through Inkshares, a book-specific crowdfunding platform that professionally publishes books through a preorder system. Mushroom and Anchovy follows the journeys of Patricia “Anchovy” Finnigan and Vladimir “Mushroom” Kalkov, professional adventurers. Their adventuring company, the Panzerotti Group, organizes hunts and adventures to locate fabled or lost items. Mushroom and Anchovy work together for the first time to locate jewels, but find a lot more. When a fellow agent is murdered, they have to learn to work together, and fast. Especially since anything can happen in a cursed cave… Inkshares is a crowdfunding platform that helps writers with interested audiences get professionally published. At 250 preorders, the book will receive a light publishing package, complete with some editing and digital distribution, and at 750, a full package, including graphic and cover design, as well as promotion and distribution to brick and mortar bookstores. The novel is also entered in the Launchpad contest, which seeks new ideas and new author voices in the publishing and entertainment worlds. Placing in the top three of this contest will also guarantee Mushroom and Anchovy’s publication. A number of well-known producers are analyzing the submissions. More information is available for the Launchpad Contest at http://www.tbhlaunchpad.com. Ebooks are available for preorder at $10 USD, and print copies for $20 USD, through Inkshares at https://www.inkshares.com/books/mushroom-and-anchovy. Readers can also enjoy the first three chapters at no charge at that link. The campaign will be going until early September, after which point the project will receive publication if the 250-750 goal is met. Cooper can be reached at kmcooper.ca@gmail.com for further information. ### Please follow and like...

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The case for self-publishing

Posted by on May 19, 2017 in Life in Writing | 0 comments

  Self-publishing is a bit of a polarizing topic. It does certainly have some shortcomings, but I feel that a lot of good writing gets overlooked due to its perceived stigma. I self-published my novella Hub City Survival six years ago. Would I have done things a little differently today? Absolutely–I don’t think anyone can say they didn’t make mistakes in their time, especially with a six-year gap in between. There are scenes I would have re-written altogether, there’s dialogue I would have scrapped and I certainly would hired someone to smash it down with a hammer. But I didn’t, and I’m okay with that. Here’s why: Hub City Survival wasn’t even supposed to get published. In fact, it just kind of popped out one day. I started writing it on DeviantArt and quickly gained a small following. It was a short project. As it gained popularity and reached its conclusion, I decided I wasn’t done with it, so I decided to compile it and sell it. Self-publishing Hub City Survival was never intended to be anything but a limited print run. But, luckily for me, it turned out to be a bit more than that. And, in fact, I keep telling myself I’ll do “one final order” of a batch of books… but every so often there’s a demand, and I end up ordering more! In the wake of the surprising amount of attention the novella got, I decided to try and gently nudge it in the direction of a few media outlets. One of these outlets was a small newspaper with a focus on independent music, local events, and some literature, so I figured I’d be a shoe-in–but I was surprised when I was met with “we don’t really do self-published books”. Of course, this is fine–they can write about whatever they please, and my book didn’t fit their criteria. But I found the focus on independent music and local arts contrasted with their rejection. Independent creators in other media were fine, but apparently writing can only be good if it’s pre-approved by an industry professional. If you post your stories online, nobody thinks twice. If you write a blog post, nobody thinks less of you. But when you decide to put them into print of your own volition? The conversation changes. For those of us whose ideas don’t direct toward a conventional reading audience, self-publishing is a viable option. For those of us who are niche writers, self-publishing is an excellent option. For those of us who don’t want their ideas to direct toward a specific audience, self-publishing is, arguably, the best option. And some people just like the freedom they’re allowed through self-publishing. Why is there such a difference between self-marketing written work versus other forms of craft or art? Please don’t get me wrong! I am extremely appreciative of all the reception Hub City Survival has gotten over the years, and I wouldn’t change anything–rejections included. These are merely questions I ask when I see the reactions when self-publishing is mentioned. I understand minor skepticism that surrounds self-publishing, especially when it comes to editing and re-writing. But, I also feel the self-publishing market has gotten a bad reputation, needlessly. My next book, Mushroom and Anchovy, is being crowdfunded through Inkshares which, essentially, is a self-publishing platform. If it reaches a certain amount of pre-orders, the book will be published through a professional publishing house, but I’m still the one directing the progress. I have developed an audience through Hub City Survival, which will help me with my campaign, and, in my opinion, can be a useful way for other writers to gauge interest in their projects. It is my hope that one day I will be able to professionally publish one of my books through a well-known house, but I don’t want to treat my little “misfit” projects like they’re inferior. They’re still projects I worked hard on and poured a lot of myself into. They still mean a lot to me. That’s Mushroom and Anchovy, that’s Hub City Survival. And that’s why they get self-published instead. Please follow and like...

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